This is a love story, he says, for and about adults. With his new film, Decision to Leave, Park shows a restraint that would almost have passed muster under the Hays Code. It was notorious not for violence, but for its vivid lesbian sex scenes. Sex and gore were still running hot among the sinister family dynamics in the English-language Stoker (2013), but his next feature, three years later, was an adaptation of Sarah Waters’ Victorian chiller, Fingersmith, renamed The Handmaiden and set in 1930s Korea. In more recent years, Park has gradually turned his attention to drama that is more tightly wired, suspenseful and female-focused. Among other distinctions, it established him as a director of graphic, taboo-busting extremes. Oldboy was a revenge drama, full of scorching violence of both a physical and emotional kind. Even more shudderingly horrible was the story, soon circulating at the Cannes Film Festival, where it made a considerable splash, that Park had insisted on shooting it four times. No one who saw Korean director Park Chan-wook’s 2003 film Oldboy will forget the scene in which actor Choi Min-sik eats a live octopus. When using a search engine such as Google, Bing or Yahoo check the safe search settings where you can exclude adult content sites from your search results Īsk your internet service provider if they offer additional filters īe responsible, know what your children are doing online.Normal text size Larger text size Very large text size
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